Fyodor Dostoyevsky

ExistentialistModernRussian

Born 1821 CE, Moscow

Died 1881 CE, St. Petersburg

He stood before a firing squad, survived, and came back to write the books that asked whether God exists, whether murder can be justified, and whether suffering has meaning.

Dostoyevsky was twenty-seven when tsarist police arrested him for belonging to a socialist literary circle. In December 1849 he was led before a firing squad. At the last moment a messenger arrived with a pardon, it was a calculated imperial lesson in mercy. He served four years of hard labor in Siberia, in conditions of extreme cold and degradation, chained beside common criminals. He came back Orthodox, politically conservative, and in possession of an understanding of human darkness that no other novelist has surpassed. Crime and Punishment is a study of a mind that has reasoned its way to murder, and must live with what reason leaves out. The Idiot asks whether pure goodness is possible in a fallen world. The Brothers Karamazov contains the Grand Inquisitor, who tells Christ that if he came back he would be burned, because humanity cannot bear freedom. Dostoyevsky put the strongest possible arguments against faith into characters of total persuasive power, then tested those arguments against what they cost. He died two months after finishing The Brothers Karamazov. He had used everything.

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A St. Petersburg canal at night in winter, gaslit stone bridges arching over dark water, a lone figure on a snow-dusted embankment, 19th-century imperial buildings looming in the fog.
Pain and suffering are always inevitable for a large intelligence.

Places

Ideas

Words

Pain and suffering are always inevitable for a large intelligence and a deep heart.

The degree of civilization in a society can be judged by entering its prisons.

Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others.

Works

Life & Moments

1849

Arrest and mock execution

In April 1849, Dostoyevsky was arrested for belonging to the Petrashevsky Circle, a liberal literary group that discussed socialist utopias and censorship of the press. In December he was led before a firing squad in St. Petersburg's Semyonov Square, his sentence read aloud, then a messenger arrived with a pardon. The mock execution, designed as a lesson in imperial mercy, left permanent marks. He called those minutes before the expected death the most intense of his life.

1850-54

Four years in Siberian labor camp

Dostoyevsky spent four years at the Omsk labor camp in Siberia, doing heavy manual work in conditions of extreme cold, chained to other prisoners. He was not allowed to read or write. He later wrote that this period shattered his previous socialism and brought him to a profound Christianity: not the institutional kind, but a direct encounter with the suffering of human beings and the question of whether it has meaning.

1880

The Brothers Karamazov published

Dostoyevsky published The Brothers Karamazov in 1880, his last and largest novel. It contains, in Ivan Karamazov's 'Grand Inquisitor' chapter, what many critics regard as the most powerful literary argument against Christianity ever written, placed inside a novel that cannot be reduced to that argument's conclusion. Dostoyevsky died in January 1881, two months after the final installment appeared.

Influence

Influenced

  • Friedrich Nietzschepsychological depth and nihilism

    Nietzsche called Dostoyevsky the only psychologist from whom he had learned anything: 'the greatest psychologist of all time.' Notes from Underground's underground man, who asserts his freedom by refusing all rational calculation, prefigures Nietzsche's critique of utilitarian morality.

  • Jean-Paul Sartreexistentialist groundwork

    Sartre placed Dostoyevsky alongside Kierkegaard as a precursor of existentialism. The underground man's assertion that two plus two may equal five, that human freedom exceeds rational determination, anticipates Sartre's own account of consciousness as that which is not what it is.